All the best Thriller Movies Streaming in Australia in November 2024

A smart a* DJ wants to start a career in radio, but the only place that will hire him is an old Southern Gospel Radio station. His first night shift happens during Y2K AND the rapture. Literally, all hell breaks loose.

I Like to Paint Monsters examines the life and career of Chet Zar, Painter of Dark. Zar is known for his work as a Special FX artist on Hellboy and Hellboy II, among many other Hollywood blockbusters, as well as his music video and live performance work with the world renowned band TOOL. After becoming disheartened with the film industry, Zar 'followed his bliss' and began painting monsters for a living. A forerunner of the Dark Art movement, Zar tackles difficult social situations with his enigmatic and iconic artwork! Enter an all-encompassing and introspective view of Zar's worlds. Sometimes gruesome, periodically funny, but always thought provoking, Zar's art is at once as enigmatic as it is frightening. But what about the man behind the paintbrush? Who is Chet Zar and why does he like to paint monsters? This is the primary question at the heart of the documentary.

Bhaarat wakes up in an empty world. Void of any companion, Bhaarat reminisces the story of his life. Living a freewheeling life with his best friend Champak, Bhaarat is the heir and grandson of industrialist Mrs. Desai. Bhaarat meets Kisha, both then become each other's first love. But Bhaarat struggles to prove his love to Kisha, who has a strong faith in the kingdom of stars.

A young couple, Ganga and Nakulan, arrives at the ancestral home called Madampalli of the latter. Hailing from a family that follows tradition and superstitions, Nakulan's uncle Thampi objects to the couple's idea of moving into the allegedly haunted mansion, which Nakulan ignores. The couple moves in anyway following which seemingly supernatural events begin to happen.

Detectives and best friends Andreas and Simon lead vastly different lives; Andreas has settled down with his beautiful wife and son; while Simon, recently divorced, spends most of his waking hours getting drunk at the local strip club. But all that changes when the two of them are called out to a domestic dispute between a junkie couple, caught in a vicious cycle of violence and drugs. It all looks very routine – until Andreas finds the couple's infant son, crying in a closet. The usually collected policeman finds himself confronted with his own powerlessness and is shaken to his core. As Andreas slowly loses his grip on justice, it suddenly becomes up to the unruly Simon to restore the balance between right and wrong.